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17 Top Publishers of Essay Collections

By Hiten Vyas

Have you written a collection of essays?

Do you now want to publish your work? If so, it makes sense to find a publishing house that has experience in publishing essays.

Continue reading to find out about 17 top publishers of essay collections.

1. Coffee House Press

Coffee House Press is an independent publishing house based in Minneapolis. Founded in 1972, it started out as a small letterpress operation before evolving into an internationally recognized publisher of poetry, essays, and literary fiction. Today, Coffee House Press continues to publish the works of both emerging and established writers, acting as a catalyst between authors and readers.

Coffee House Press has annual reading periods during which they are open for submissions of novels, essay collections, and long-form essays. There is no set length requirement for submissions, but they do not accept single essays, single poems, and chapbooks. Do note that Coffee House Press only accepts 300 submissions per reading period, so make sure you submit as soon as the reading period begins. Visit their Submittable page to learn more about their submission guidelines. For general inquiries, you can reach Coffee House Press here .

2. Red Hen Press

Located in Los Angeles, Red Hen Press was founded by Mark E. Cull and Kate Gale in 1994 out of their desire to keep creative literature alive. And that desire is still the foundation of everything they do—from publishing outstanding literary works, to promoting literacy in local schools. Red Hen Press publishes non-fiction, literary fiction, and poetry—particularly novels, memoirs, essay collections, poetry collections, creative non-fiction, and hybrid works. To get a better idea of the kind of work they usually publish, you can check out their catalog and submission guidelines .

They are currently accepting unsolicited submissions via their Submittable page , and interested authors may submit a completed manuscript or a sample of at least 20 pages. It usually takes them 3 to 6 months to respond to submissions.

3. Two Dollar Radio

Two Dollar Radio is a small, family-run press that has garnered national acclaim since its establishment in 2005. They publish original, creative, and subversive books that defy conventional storytelling. Some of the authors whose work they have published are Hanif Abdurraqib, Barbara Browning, Mark de Silva, Paul Kingsnorth, Janet Livingstone, and more.

They are currently open for submissions through their Submittable page . Submissions must include the full manuscript—no proposals or excerpts. If you are interested in submitting your work, it is important that you familiarize yourself with their previous publications since you will be asked to provide a short statement on why you feel they are the right publisher for your manuscript. You can find more information about their submission guidelines here .

4. Unsolicited Press

Unsolicited Press is a small Oregon-based press that publishes creative non-fiction, literary fiction, and poetry. What sets Unsolicited Press apart from other publishers is that every single person who works there is also a writer, and they consider publishing a partnership between the author and the press. They are always open for submissions, and they are currently actively seeking poetry collections, essay collections, memoirs, novels, and creative non-fiction. They also welcome experimental literature. All submissions must adhere to their submission guidelines , or else they will not be read.

If you are interested in submitting an essay collection, you will need to prepare a query letter and book proposal, along with the first three chapters of your manuscript. Do note that they only accept submissions in Word format. Once you are ready, you can send them your submission via email .

5. Sarabande Books

Sarabande Books is a non-profit press that was founded in 1994. They currently have more than 200 titles in print, and they publish approximately 10 books each year, primarily focusing on fiction, poetry, and essays. They have a dedicated readership and have earned a reputation for publishing innovative books with diverse voices. Authors previously published by Sarabande Books have gone on to win or have been shortlisted for numerous awards, including the Pulitzer Prize, Lambda Literary Awards, National Book Critics Circle Award, and more.

Their annual reading period for essay collections is during the month of September. They are interested in essay collections between 150 and 250 pages. Individual essays in the collection may have already been published in magazines or chapbooks, but the collection as a whole must be previously unpublished. All submissions must follow their guidelines and must be sent through their Submittable page . General inquiries may be sent through Sarabande’s online contact form .

6. Black Lawrence Press

Founded by Colleen Ryor in 2004, Black Lawrence Press is an independent publisher that specializes in fiction, creative non-fiction, and contemporary poetry. The books they publish are distributed to Barnes & Noble, Amazon, and various bookstores and retailers across the country. Black Lawrence Press has open reading periods twice a year—one in June and another in November—during which they accept submissions of novels, novellas, prose chapbooks, lyric essay collections, short story collections, biographies, poetry chapbooks, and creative non-fiction.

Black Lawrence Press is quite strict about formatting, so make sure you adhere to the guidelines stated here . If you are ready to send in your submission, you can do so through their Submittable page .

7. Bauhan Publishing

Bauhan Publishing is an independent publishing house with roots going all the way back to the 1930s. It has gone through several different names since its establishment, but its commitment to craftsmanship remains. Even with the rise of on-demand publishing and new media, Bauhan Publishing believes that their traditional publishing model gives them an edge that newer companies don’t have. In addition to publishing high-quality books, Bauhan also hosts the annual Monadnock Essay Collection Prize for book-length collections of non-fiction essays.

Bauhan Publishing does not currently accept unsolicited submissions, but you can visit their Submittable page to stay updated about their upcoming reading periods and contests. If you have any questions for the Bauhan Publishing team, you can reach them here .

8. C&R Press

Since 2006, C&R Press has been publishing exceptional books—especially those written by progressive, LGBTQ, female, minority, immigrant, and submerged voices. Although C&R Press started out as a poetry publisher, they have since expanded their scope and now also publish short story collections, essay collections, novels, and more.

Publishing at least 12 books each year, C&R Press is always eager to receive submissions of full-length manuscripts in any genre. Short stories, essays, memoirs, and hybrid work are all welcome. Should you be interested in getting published by C&R Press, you can view their submission guidelines and submit your manuscript here . If you have any additional questions or concerns, you can reach C&R Press via email .

9. Manchester University Press

Located in the heart of the most vibrant cities in the UK, Manchester University Press publishes study guides, essay collections, multi-authored collections, monographs, and trade books for general readers. Their areas of interest include modern history, history of art and design, sociology, economics, literature, film, archeology, business, politics, international law, and theater.

If your manuscript falls under any of the aforementioned areas, you can submit a proposal to Manchester University Press by emailing the appropriate editor . But before emailing your proposal, make sure you read their submission guidelines . You can also get in touch with Manchester University Press here .

10. Seren Books

One of the leading independent publishers in Wales, Seren Books has been publishing high-quality fiction, non-fiction, and poetry since 1981. Many of the books they have published over the decades have won major literary awards—not only in the UK but internationally as well. It is recommended that you check out their past publications to learn more about the kinds of books they are interested in publishing, but at the core of everything they publish are stories well told.

Seren Books welcomes unsolicited submissions all year. If you are interested in submitting your work for their consideration, you can visit the submissions page on their website.

11. Vehicule Press

Founded in Quebec in 1973, Vehicule Press began as the publishing arm of Vehicule Art, Inc., one of the first artist-run galleries in Canada. Today, Vehicule Press continues to publish non-fiction, fiction, and poetry from Canada’s most talented writers. Some of their award-winning publications include The Love Monster by Missy Marston, A Place in Mind: The Search for Authenticity by Avi Friedman, Garbage Head by Christopher Willard, and Boxing the Compass by Richard Greene.

Vehicule Press is currently accepting non-fiction submissions. Prospective authors can submit their work by visiting the Vehicule Press submissions page and contacting the appropriate editor . General inquiries can be sent to Vehicule Press via email .

12. Book*hug Press

Formerly BookThug Press, Book*hug is an independent literary press in Ontario, Canada that specializes in literary non-fiction, contemporary fiction, poetry, drama, and translations. Their main goal is to publish books that reflect and contribute to Canadian culture and society. In particular, they are looking for writing that is innovative, bold, and not afraid to take risks. They especially welcome work written by LGBTQ writers, women writers, deaf and disabled writers, indigenous writers, and writers of color. They do not, however, publish children’s books, genre fiction, self-help books, or cookbooks.

Book*hug is always open for submissions. If you would like Book*hug to consider your work, you can check out their submission guidelines for instructions on how and where to submit your manuscript. If you require additional assistance, you can reach the Book*hug team here .

13. Guernica Editions

Established in 1978, Guernica Editions is named after the Spanish city that fell victim to aerial bombs in the 1930s. Guernica’s founders chose the name with the hope that the books they publish will change the world and make it a better place. Guernica publishes Canadian literature, specifically fiction, non-fiction, and poetry. One of Guernica’s most significant contributions to the literary world is their promotion of ethnic minority writers including African-Canadian writers, Italian-Canadian writers, and others.

Guernica accepts manuscript submissions between January and April, and they are interested in poetry collections, essay collections, literary non-fiction, and novels. All queries and manuscripts must be sent as attachments via email . To learn more about their process and policies, check out Guernica’s submission guidelines here .

14. House of Anansi

House of Anansi is a Canadian publisher that was founded by writers David Godfrey and Dennis Lee in 1967. They have published the works of renowned Canadian writers, including Margaret Atwood, Erin Moure, Matt Cohen, and Michael Ondaatje. Today, House of Anansi specializes in publishing fiction, non-fiction, poetry, and drama from both established and emerging writers. They publish around 50 new titles each year.

House of Anansi is currently closed for submissions, but you can keep an eye out for open calls and upcoming reading periods by checking their Submittable page . They only accept submissions from Canadian writers, and all submissions must be done online. If you have any questions or concerns, you can reach the House of Anansi team here .

15. Giramondo Publishing Company

Giramondo Publishing Company was established in 1995 with the aim of publishing adventurous and innovative literature written by Australian writers. Many of the titles they have published have won major literary prizes, such as the Prime Minister’s Literary Award, the Miles Franklin Literary Award, and the Nita Kibble Literary Award. They publish non-fiction, fiction, poetry, and short-form books.

Giramondo is always open for submissions, and they welcome both fiction and non-fiction manuscripts, including essay collections. All submissions must be sent through their Submittable page and must include your curriculum vitae, a brief synopsis of your work, and three sample chapters. For more information, you can find Giramondo’s submission guidelines here .

16. Pan MacMillan Australia

Pan MacMillan Australia is the Australian imprint of MacMillan Publishers, one of the largest and most popular publishing houses in the world. Pan MacMillan Australia publishes a range of high-quality books across various genres, including children’s literature, fiction, non-fiction, biographies, memoirs, and more.

Australian authors who wish to get published can participate in Pan MacMillan’s Manuscript Monday initiative. On the first Monday of every month, Pan MacMillan accepts electronic submissions from 10:00 am to 4:00 pm, Australian Eastern Standard Time. At the moment, they are looking for fiction, literary non-fiction, children’s books, young adult literature, and commercial non-fiction. Interested authors can check out Manuscript Monday’s guidelines and submission instructions here . You can also contact Pan MacMillan for general questions and inquiries.

17. Grattan Street Press

Grattan Street Press is a small press located in Melbourne, Australia. An initiative of the University of Melbourne’s Publishing and Communications Program, Grattan Street Press publishes trade non-fiction, contemporary fiction, children’s books, and other culturally significant works. They are especially drawn to writing that is intelligent, engaging, and unique.

They are currently accepting fiction and non-fiction submissions through their Submittable page . Submissions must include your curriculum vitae, a brief summary of your work, and a short excerpt. You can check out their submission guidelines for more details. If you have any questions regarding their submission policies and screening process, you may get in touch with them via email .

Are there any other publishers of essay collection that you know of? Please tell us about them in them in the comments box below!

Hiten Vyas is the Founder and Managing Editor of Writing Tips Oasis .

Start Here: How to Get Your Book Published

This post is regularly updated with new information and remains relevant if you’re looking for a traditional publishing deal.

If you want to get your book published, you have more choices than ever to accomplish your goal. This post lays out the process in the simplest terms possible. It is regularly revised and updated.

There are three primary paths to getting published:

• Find a traditional publisher who will offer you a book contract. This is what most writers have in mind when they think of publishing their book. A traditional publisher pays you, the author, for the right to publish your work, under certain terms and conditions.
• Hire a company to help you publish your book. There are thousands of publishing services out there, some cheap and some expensive. But the main thing they have in common is that they charge the author to publish. This includes hybrid publishers , assisted publishers, and publishing service companies.
• Self-publish . This is where you the author act as the publisher, and hire the help you need to publish and sell your work, most often through Amazon and other major retailers.

This post focuses on finding a traditional  publisher.

In a traditional publishing arrangement, publishers assume all costs and pay you an advance and royalties. You must persuade them to accept your work by submitting an effective pitch or manuscript.

Not sure if you should traditionally publish or self-publish? Here’s how to make a decision.

4 steps to getting a book published

Getting your book traditionally published is a step-by-step process of:

• Determining your genre or category of work.
• Finding appropriate agents or publishers for your work.
• Preparing your submissions materials (a query letter or proposal, usually).
• Submitting your materials to agents or editors.

Step 1. Determine your work’s genre or category.

Publishers and agents often focus or specialize on certain types of work. They may publish only fiction or nonfiction; they may refuse to accept poetry or memoir; and so on. It’s important to correctly identify what you’ve written, at least in broad terms, so you can find the right publisher or agent to approach. Your genre or category also affects what materials you’ll be expected to submit.

• Novels and memoirs:  Most first-time authors must finish their manuscript before approaching editors/agents. You may be very excited about your story idea, or about having a partial manuscript, but it’s almost never a good idea to submit your work at such an early stage. Finish the work first—make it the best you possibly can. Seek out a writing critique group or mentor who can offer you constructive feedback, then revise your story. Be confident that you’re submitting your best work. One of the biggest mistakes new writers make is rushing to get published. In 99% of cases, there’s no reason to rush.
• For most adult nonfiction (except memoir):  Rather than completing a manuscript, you should write a book proposal—like a business plan for your book—that will convince a publisher to contract and pay you to write the book. Find out more information on book proposals and how to write one.  You need to methodically research the market for your idea before you begin to write the proposal.
• Children’s work: Three main categories are relevant to writers just starting out: picture books (fully illustrated, usually 32 pages, give or take), middle-grade books (some very illustrated, some not), and young adult. A finished manuscript is typically required. Children’s picture book writers do not need to provide or submit illustrations, only the manuscript.

Some of the most common novel genres are : romance and erotica, women’s fiction, historical, mystery, crime, thriller, and science fiction & fantasy. Commercial fiction is a term that’s often used interchangeably with “genre fiction” (romance, mystery, thriller, SFF, etc). Work that doesn’t fall into a clear genre fiction category is sometimes called “mainstream fiction” by agents and publishers.

Upmarket fiction is a term most often applied to certain types of women’s fiction—the sort of novel that gets chosen for book clubs. Literary fiction encompasses the classics you were taught in English literature, as well as contemporary fiction (e.g., Jonathan Franzen, Margaret Atwood, or Hillary Mantel). For more on the distinctions here, I recommend agent Carly Watter’s post .

Some of the most popular nonfiction categories are : business, self-help, health, advice/relationships, personal development, and memoir.

Within the publishing industry, nonfiction is often discussed as falling under two major, broad categories: prescriptive (how-to, informational, or educational) and narrative (memoir, narrative nonfiction, creative nonfiction). You can get a sense of what nonfiction categories exist by browsing Amazon’s categories (see their lefthand navigation) or simply visiting a bookstore.

Books that are suitable for Big Five publishing

Some books are more commercial than others; anything falling into genre fiction is by default a commercial work. Most nonfiction, if it would be stocked in your average bookstore, is commercial. “Big Five” New York publishers are interested primarily in commercial work—work that is meant to sell in big retailers, big-box stores, etc.

The most important thing to remember is that not every book is cut out to be published by a New York house, or represented by an agent, but most writers have a difficult time being honest with themselves about their work’s potential.

Here are some rules of thumb about what types of books are suitable for a Big Five publisher:

• Genre or commercial fiction: romance, mystery, crime, thriller, science fiction, fantasy, young adult, and so on.
• Nonfiction books that would get shelved in your average Barnes & Noble or indie bookstore—which requires a strong hook or concept and author platform . Usually a New York publisher won’t sign a nonfiction book unless they anticipate selling 10,000–20,000 copies.

Works that can be difficult to sell:

• Books that exceed 120,000 words, depending on genre
• Poetry, short story, anthologies, or essay collections—unless you’re a known writer, or have a platform
• Nonfiction books by authors without expertise, authority, or visibility to the target audience
• Memoirs with common story lines —such as the death of a loved one, mental illness, caring for aging parents—but no unique angle into the story (you haven’t sufficiently distinguished your experience—no hook)
• Literary and experimental fiction

If you write fiction or memoir, the writing quality usually matters above all else if you want to be traditionally published. Read in your genre, practice your craft, and polish your work. Repeat this cycle endlessly. It’s not likely your first attempt will get published. Your writing gets better with practice and time. You mature and develop.

If you write nonfiction, the marketability of your idea (and your platform) often matter as much as the writing, if not more so. The quality of the writing may only need to be serviceable, depending on the category we’re talking about.

If your work isn’t a good candidate for a New York house, don’t despair. There are many mid-size houses, independent publishers, small presses, university presses, regional presses, and digital-only publishers who might be thrilled to have your work. You just need to find them. (See the next step.)

Deciding If You Need an Agent

In today’s market, probably 80 percent of books that the New York publishing houses acquire are sold to them by agents. Agents are experts in the publishing industry. They have inside contacts with specific editors and know better than writers what editor or publisher would be most likely to buy a particular work.

Perhaps most important, agents negotiate the best deal for you, ensure you are paid accurately and fairly, and run interference when necessary between you and the publisher. The best agents are career advisers and managers.

Traditionally, agents get paid only when they sell your work, and receive a 15% commission on everything you get paid (your advance and royalties). Avoid agents who charge fees.

So … do you need an agent?

It depends on what you’re selling. If you want to be published by one of the Big Five, most certainly.

If you’re writing for a niche market (e.g., vintage automobiles), or have an academic or literary work, then you might not need one. Agents are motivated to represent clients based on the size of the advance they think they can get. If your project doesn’t command a sizable advance (at least 5 figures), then you may not be worth an agent’s time, and you’ll have to sell the project on your own.

Here’s how to find literary agents and how to evaluate them.

Step 2. Find publishers and agents.

Once you know what you’re selling, it’s time to research which publishers or agents accept the type of work you’ve written. Again, be aware that most New York publishers do not accept unagented submissions—so this list includes where to find both publishers and agents. This is not an exhaustive list of where you can find listings, but a curated list assuming you want to focus on the highest-quality sources.

• Duotrope.com . Since the decline of Writer’s Market (see below), this is the best database for identifying publishers. Subscription required.
• PublishersMarketplace.com . This is the best place to research literary agents; not only do many have member pages here, but you can search the publishing deals database by genre, category, and/or keyword to pinpoint the best agents for your work. Subscription required.
• QueryTracker.net.  About 200 publisher listings and 1,000 agent listings. Basic service is free.
• WritersMarket.com . Thousands of agent and publisher listings were once found here, but the site is currently inactive. You can try the print edition , or Jeff Herman’s competing guide .

Step 3. Prepare your submission materials.

Every agent and publisher has unique requirements for submitting materials. The most common materials you’ll be asked for:

• Query letter. This is a 1-page pitch letter that gives a brief description of your work. (More on this below.)
• Novel synopsis. This is a brief summary (usually no more than 1-2 pages) of your story, from beginning to end. It must reveal the ending. Here’s how to write a novel synopsis.
• Nonfiction book proposal. These are complex documents, usually 20-30 pages in length, if not double that. For more explanation, see my comprehensive post.
• Novel proposal. This usually refers to your query letter, a synopsis, and perhaps the first chapter. There is not an industry standard definition of what a “novel proposal” is.
• Sample chapters.  When sending sample chapters from your novel or memoir, start from the beginning of the manuscript. (Don’t select a middle chapter, even if you think it’s your best.) For nonfiction (non-memoir), usually any chapter is acceptable.

The All-Important Query Letter

The query letter is the time-honored tool for writers seeking publication. It’s essentially a sales letter that attempts to persuade an editor or agent to request a full manuscript or proposal.

• Here’s my definitive post on writing a query for a novel.
• Here’s how to write a query for a nonfiction book.

Step 4. Submit your materials.

Almost no agent or editor accepts full manuscripts on first contact. This is what “No unsolicited materials” means when you read submission guidelines. However, almost every agent or publisher will accept a one-page query letter unless their guidelines state otherwise. (If they do not accept queries, that means they are a completely closed market.)

After you send out queries, you’ll get a mix of responses, including:

• No response at all, which is usually a rejection.
• A request for a partial manuscript and/or a synopsis.
• A request for the full manuscript and/or synopsis.

If you receive  no  requests for the manuscript or book proposal, then there might be something wrong with your query. Here is how to improve your query letter.

If you succeed in getting your material requested, but then get rejected, there may be a weakness in the manuscript or proposal.

How Long Should You Keep Querying?

Some authors are rejected hundreds of times (over a period of years) before they finally get an acceptance. If you put years of time and effort into a project, don’t abandon it too quickly. Look at the rejection slips for patterns about what’s not working. Rejections can be lessons to improve your writing.

Ultimately, though, some manuscripts have to be put in the drawer because there is no market, or there isn’t a way to revise the work successfully. Most authors don’t sell their first manuscript, but their second or third (or fourth!).

Protecting your rights

You have nothing to fear in submitting your query or manuscript to an agent or publisher. If you’re worried about protecting your ideas, well, you’re out of luck—ideas can’t be protected under copyright, and no publisher or agent will sign a nondisclosure agreement or agree to talk with a paranoid writer who doesn’t trust them. (Just being blunt here.)

If you’re worried about protecting your copyright, then I have good news: your work, under law, is protected from the moment you put it in tangible form. You can find out more about protecting your rights here.

Do you have to “know someone”?

No, but referrals, connections or communities can certainly help! See the related question below about conferences.

The self-publishing option

Typically, writers who get frustrated by the endless process of submission and rejection often look to self-publishing for satisfaction. Why waste countless months or years trying to please this or that picky agent/editor when you can easily get your book available on Kindle (or as print-on-demand) at almost no cost to you?

Such options may afford you the ability to hold your book in your hands, but it rarely leads to your physical book reaching bookstore shelves—which ends up surprising authors who’ve been led to believe otherwise.

Self-publishing requires significant and persistent effort into marketing and promotion, not to mention an entrepreneurial mindset. It usually takes a few books out on the market before you can really gain momentum, and most first-time authors don’t like to hear that—they’re not that committed to writing without an immediate payoff or some greater validation.

Finally, most self-published authors find that selling their book is just as hard—if not harder than—finding a publisher or agent.

That said, independent authors are fiercely passionate about their work and their process, and some are much happier and satisfied going it alone. But those who succeed and profit often devote years of their life, if not their entire lives, to marketing and promoting their work. In short: It’s a ton of work, like starting a small business (if you do it right).

So, you can self-publish, but it all depends on your goals and what will satisfy you. To learn more:  Start Here: How to Self-Publish Your Book .

Posting your work online

Many writers wonder if they’ll ruin their chances at traditional publication if they self-publish an ebook, use Wattpad, or put chapters on their website. In brief, no, you are not ruining your chances. Read more about this issue here.

Navigating the publishing industry

• Publishing is a business, just like Hollywood or Broadway. Publishers, editors, and agents support authors or projects that will make money and provide a good return on investment. It used to be that this return on investment could happen over a period of years or several books. Now, it needs to happen with one book and in less than one year.
• Professionalism and politeness go a long way toward covering up any amateur mistakes you might make along the way.
• Unless you live under a lucky star, you will get rejected again and again and again. The query and submission process takes enormous dedication and persistence. We’re talking about years of work. Novelists and memoirists often face the biggest battle—there’s enormous competition.
• Never call an agent or editor to query or ask questions (or just chat) if you are not a client or author. Never query by telephone—and I wouldn’t do it even if the guidelines recommend it. You’ll mess it up.
• Agents and editors do not want you (a non-client or author) to visit them at their offices. Do not plan a visit to New York and go knocking on doors, and don’t ask an agent/editor for a lunch or coffee appointment if you don’t have a relationship already. If you’d like to interact with an agent or editor, attend a writers conference.
• When working with a traditional publisher, you have to give up a lot of power and control. The publisher gets to decide the cover, the title, the design, the format, the price, etc. You have to go through rounds of revisions and will likely have to change things you don’t want to change. But you must approach the process like a professional, not a high-maintenance artiste.
• You’ll be far more attractive to a publisher if they believe you’ll be an active marketer and promoter of your book. If you come to the table with media savvy or an established platform (audience or readership), you’ll have an easier time getting that first deal.
• For nonfiction authors: Don’t go looking for a publishing deal because you need the authority or platform that a book can give you. Rather, you must already have the platform and authority, and thus be qualified to write a book. YOU bring the audience to the publisher, not the reverse.

Why you should attend writing conferences

Your education and insight into the industry will advance exponentially. You’ll gain an understanding that’s often impossible from just reading about it. You will meet agents and editors, and start to see them as real people. If you have an appointment or consultation with a publishing professional, it will shorten your path to publication. You can get the reasons, immediately, that an agent or editor may not be responding favorably to your work.

Many writers are familiar with the reasons to attend conferences, but not all understand how to get more out of them. Here are 3 ways you can get the most out of your experience.

• Select a conference where you can meet with a specific author, editor or agent who is absolutely ideal for your work (after lengthy and intensive research). Get a critique session or an appointment—but only if you feel like you’ve taken your work as far as you possibly can on your own. This is important.
• During any formal appointments or critiques, plan to talk about 20-30% of the time. Before meeting, develop a specific list of questions that, if you had the answers, you would know specifically what your next steps are (for your project or your career) when you leave. Do not attend any appointment expecting to be offered a deal or representation. Go for the learning experience and the opportunity to have a professional consultation. That’s what it is.
• Closely study the backgrounds/bios of every speaker, agent, and editor who is attending. Be knowledgeable for any chance conversations you have; having this knowledge will also spark questions you could ask during panels or social hours. Don’t be the person who asks the obvious question you could’ve figured out by paying attention to the program. Delve deeper. Make your questions count.

Here is my comprehensive guide to writing conferences.

When to hire professional help

Should you hire a freelance editor to help improve your manuscript before submitting? There’s no one right answer for everyone, but I discuss considerations and guidelines here.

Reasons you might fail to get published

• You rush to submit your work before it’s ready. This is particularly true of writers who are dizzy with excitement after completing their very first book-length manuscript. But if you’ve just spent months (or years!) writing a manuscript, why rush it to an agent or editor, and why rush it to just any agent or editor? And why rush it if you’re new to the publishing business?
• Your story premise or book concept lacks originality. A novel or memoir needs to feel “fresh,” relevant to today’s readers, and not derivative of existing bestsellers. (What’s “fresh” is subjective, of course.) How do you know if your idea is tired by an agent’s standards? Reading lots of popular fiction helps; it helps you learn what’s been done already, and how you might add your own twist. Here’s a post on improving your story premise.
• It’s tough to achieve objectivity. When you finish a significant manuscript or proposal that took a long time to complete, you need time away and distance to assess its strengths and weaknesses.
• It’s tough to make progress without a mentor. A good critique partner can be invaluable to your growth as a writer. When you don’t have the time or willingness to take enough steps back from your work, or see its flaws, others can offer a really hard push.
• It’s easy to take validation from family and friends as a sign you ought to write and publish. Has your family encouraged you? Have your friends told you that you’re a brilliant writer? Do your children love your stories? While you need support, you also need to ignore what these people are telling you. They’re not publishing professionals. You need to write because you can’t do anything else. Because you would suffer if you didn’t. Your motivation to write has to come from within. Don’t write (only) because you were given validation or permission by someone close to you. What you really need (require) is your own inner conviction.

Also consider: What is your motivation for trying to get published? A little self-reflection might be in order before you chase after an agent or publisher. Read my post 3 Questions Every Creative Person Must Ask.

Mostly what this game boils down to is patience. If you don’t have it, you will get frustrated and give up.

If you’re looking for more in-depth guidance:

• My book:  The Business of Being a Writer , published by The University of Chicago Press, starred review from Library Journal

Jane Friedman has spent nearly 25 years working in the book publishing industry, with a focus on author education and trend reporting. She is the editor of The Hot Sheet , the essential publishing industry newsletter for authors, and was named Publishing Commentator of the Year by Digital Book World in 2023. Her latest book is The Business of Being a Writer (University of Chicago Press), which received a starred review from Library Journal. In addition to serving on grant panels for the National Endowment for the Arts and the Creative Work Fund, she works with organizations such as The Authors Guild to bring transparency to the business of publishing.

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You mention the marketing aspect involved in self-publishing and the expectation of the same with a traditional publisher. What do you see as the difference between marketing a self-pub and a traditionally published book? In reading other people’s thoughts, the author’s involvement appears to be key in either situation.

The author’s involvement is necessary/critical either way, yes. 

When working independently, you often need to build credibility for yourself and your book because you don’t have a traditional publisher backing you. This means getting people of authority/importance to help vouch for your book (via blurbs, reviews, etc). 

You also don’t have the automatic ability to get reviews and mainstream media attention for a self-published work, and unless you have friends in high places, you’ll have to hire a professional publicist to work with you—someone who DOES have connections to the media and can help pitch your work. This is nearly impossible to do effectively on your own.

Of course, these activities assume your book is appropriate for mainstream media coverage. If you’re appealing to a niche market, and you’re known as an authority in your niche, these things matter very little.

So either way, an author needs to go into the process expecting to be involved in the marketing. There is no magic pill like in weight loss or easy money-making process like in the lottery.

Along with publishing expertise and marketing avenues, the primary value in traditional publishing then is the weight of authority.

Yes, authority/credibility is one value. 

Also: physical distribution is next to impossible without a traditional publisher. 

Also: experience and savvy in putting together a marketable package in book form that is competitive.

Also (hopefully): editorial excellence.

I’ve decided with this amazing post ( bookmarked) I will create an online quiz. It will be multiple choice with questions like ” Do you have to earn your advance before drawing royalty checks?” and “Do you have to do any marketing or will your pub do it all?” so when I’m asked this they can just refer to the quiz and post.

Great one Jane.

LOL! Terrific idea.

Dear Jane, I am a young author, (not yet published), at the age of 13. Amazing, so I’ve been told, but I don’t really think so. I aspire to be published this year, if possible. I’m afraid that publishers or editors might overlook my work, or not give it a second look because of my age. I’ve heard many doubts, such as “You’re too young,” and I understand that I am a minor, and I cannot self publish. (Am I correct..?) But this information has helped me quite a lot, and I have a few questions… I don’t know if I am able to get into this because of my age, and/or what I’ve done with my stories. Not many of them are “Novel or memoir length” and such, but I’ve published them online on Wattpad, as well as a website (I’ve used much longer), Quotev. My point of the matter is, I feel I am too young, this all coming from myself, to understand this whole process of business and getting published. I have a strong passion for getting my stories out there, but I think that I’m too unexperienced with things like this to know where to begin. Could you help me? If you could, that would me marvelous. Thank you so much!

Hi Caroline,

I’m not really sure if there are age limitations when it comes to using Amazon KDP, Smashwords, etc. (I do know you need to offer tax ID information—your Social Security number.)

If you feel like you’re too young to understand the business side of getting published, then you need to wait until you feel like you CAN handle it, or find a teacher/mentor to help you in person, or take small steps on your own. Try publishing shorter works in online magazines/journals first. Continue using Wattpad. Continue writing and reading.

Hello Caroline, My name is Freyjaa, and I am at the age of 10. I simply used the websites on this post to help me find a publisher, so you can too.

Way to go, Freyjaa! 🙂

Hey there, I have a friend who self published at 14, so I assume there aren’t any age limits.

No age limits – although depending on the laws where you live, if you’re under 18, you may need a parent/guardian to sign a publishing contract.

Great info, Jane!

Thanks, Jane. I passed your link to a few likely folks who need to know what reality looks like. One point I’d like to make is that publishing houses rarely offer book editing and normally not for new authors at all. That is to be accomplished on the author’s own dime prior to submitting. The in-house editor is more like the manuscript’s champion, not the partner in publication. It is also true that the book doctors and editors sometime make more $$ from a book than the author! 

I don’t know that I’d say publishers offer editing “rarely.” But I agree that mileage may vary, and it remains a contentious issue how much time editors do now spend on actual editing.

I think the editor (and publisher) still serve as partners (otherwise what’s the point?), in varying ways, and the best editors/publishing houses ensure editorial excellence without the author having to find outside help.

[…] https://janefriedman.com/2012/01/28/start-here-how-to-get-your-book-published/  Share this:TwitterFacebookLinkedInTumblrEmailStumbleUponRedditDiggLike this:LikeBe the first to like this post. […]

Great post, Jane! There are two things I’d like to mention on the subject. First, finding a critique group of like minded writers is invaluable because, as you wrote, “it’s tough to achieve objectivity” about your own writing. Secondly, small press publishers bridge the gap between the large publishing houses who require you to have an agent and the other option: self-publishing.

Great points! Completely agree.

yep I have beta readers in the same genre as a VERY popular series that are now liking my book more. Three read it just under a day. So having those to help you tweak your eb and flow is very important.

Hey Jane, bookmarking this doesn’t seem enough. I’ve said this before about your articles and I’ll say it again for this post: I just want to make wallpaper out of it and use it. What you offer here is thorough, detailed and informative insight and it feels like it’s coming from a friend. The advice is genuine and objective. Thank you.

Hey Jane, let me ask you this. Is it true that a great query letter can sell a mediocre manuscript and a bad query can kill a good one?

Many thanks for your kind comments!

A bad query can definitely kill a good manuscript—and based on some of the poor queries I see, it’s not uncommon.

A great query letter can get a mediocre manuscript read or requested, but not represented or sold.

Jane, Outstanding post. This really covers everything an aspiriring writer needs to know. Thanks for sharing your knowledge and insights.

A pleasure to help! Thanks for reading.

[…] Read the entire article here. […]

[…] https://janefriedman.com/2012/01/28/start-here-how-to-get-your-book-published/ Great post by Jane Friedman laying out the basics of what writers need to consider on the road to book publication. […]

[…] Start Here: How to Get Your Book Published from Jane Friedman. […]

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How to Get a Book Published: A Step-by-Step Guide for Aspiring Authors

Getting your book published might seem like a daunting task . Believe me, I understand how overwhelming it can all feel. That’s precisely why I took the time to really dig into the process and uncover a step-by-step guide that simplifies everything for you.

This article is designed to walk you through each stage , from beginning to end, making the journey more manageable . Let’s dive in!

Table of Contents

Key Takeaways

• To publish a book, first know your genre and who might want to read it. This helps find the right people to show your book.
• Building connections with writers, agents, and publishers is key. Networking can open doors for you in the publishing world.
• When you send out your book idea, make sure everything looks good. A catchy letter and a well-edited manuscript are important.
• Keep trying even if you get turned down at first. Many famous authors were rejected before they finally made it.
• Think about protecting your rights as an author. Know the rules about self-publishing and getting help from lawyers if needed.

Step 1: Determine Your Book’s Genre and Category

Determining your book’s genre and category shapes the path to publication. Understanding the publishing industry and identifying your book’s genre are crucial steps.

Understanding the Publishing Industry

The publishing industry is a vast landscape filled with opportunities and challenges for self-publishers. This sector operates on the principles of selecting, producing, and distributing books to a wide audience.

Each year, thousands of manuscripts make their way through publishers and literary agents in hopes of finding success. For an aspiring author like me, understanding this industry’s inner workings is crucial.

Knowing who the key players are – from big publishing houses to independent publishers – can greatly influence my approach to getting my book published.

Finding out where my book fits within the genre spectrum is essential too. A clear grasp of genres and categories helps in targeting the right publishers or literary agents who have a history of working with similar content.

This step not only streamlines the submission process but also increases my chances of catching an agent’s eye. Armed with this knowledge, I feel more confident about moving forward to the next critical stage: Identifying Your Book’s Genre.

Identifying Your Book’s Genre

To get your book published, you need to start by identifying the genre or category it falls under. This is crucial as it determines which publishers and agents would be interested in your work.

Consider factors such as themes, writing style, and target audience to pinpoint the genre that best fits your book . Understanding this will help you navigate the publishing industry more effectively and increase your chances of finding the right publisher or literary agent for your manuscript.

By recognizing and categorizing your book’s genre early on, you set a strong foundation for the rest of your publishing journey.

Step 2: Finding Publishers and Literary Agents

Finding the right publishers and literary agents is crucial for success. Networking and thoughtful research can lead to valuable connections.

The Importance of Networking

Networking is crucial in the publishing industry. Connecting with other writers, agents, and publishers can open doors to opportunities for collaboration and advice . Building relationships can also lead to valuable insights about the ever-changing literary marketplace, helping you stay informed and make informed decisions as a self-publisher.

Remember that networking isn’t just about what others can do for you; it’s also about how you can contribute to the community of aspiring authors and gain support along your journey to publication .

Tips for Researching and Approaching Agents

• Understand the role of literary agents in the publishing industry; they act as intermediaries between authors and publishers.
• Research potential agents who specialize in your book’s genre, ensuring they have a successful track record in representing similar works.
• Craft personalized query letter s to each agent, showcasing your book’s unique strengths and why it aligns with their expertise.
• Tailor your book proposal to demonstrate your author platform , marketability, and the potential for book marketing strategies.
• Highlight any previous writing achievements or relevant experiences that can bolster your credibility as an author.
• Connect with other authors or industry professionals for recommendations on reputable literary agents, leveraging the importance of networking.
• Approach agents professionally and courteously by adhering to submission guidelines and respecting their time and workload.
• Be prepared for rejection but remain persistent, keeping a meticulous record of submissions and feedback received from agents.

Step 3: Preparing Your Submission Materials

Prepare your submission materials with care and precision to showcase the best of your work. Craft a compelling query letter and ensure your manuscript is polished for submission.

Crafting a Query Letter

Crafting a query letter is crucial when seeking traditional publishing . Clearly state the book’s genre and word count to pique interest. Include a brief synopsis and your writing credentials in a professional tone.

Keep it concise and engaging to grab the agent’s attention right away. Use relevant keywords such as “query letter” to maximize its effectiveness for publishers.

The Role of Book Editing

Moving from crafting a query letter to the role of book editing, I believe it’s important to note that editing underpins the success of your manuscript. Tailored towards enhancing your writing, meticulous editing ensures that your work is polished and ready for publication.

Not only does it involve proofreading for errors, but also refining the structure and clarity of your narrative. As you embark on this step, remember that seeking more than just surface-level changes can unlock the true potential of your story.

It’s not merely about correcting mistakes; it’s about diving into the heart of your work and refining it with precision.

Self-publishing

Genre research

Step 4: Submitting Your Materials and Navigating the Publishing Industry

When submitting your materials, persistently follow up with publishers and agents. Protect your rights as an author while exploring self-publishing options .

The Importance of Persistence

Persistence is crucial in the publishing journey, especially when facing rejection or setbacks . Continuing to submit your materials and network with industry professionals can lead to success.

Self-publishing also requires perseverance, as building an audience takes time and effort . Remember that many successful authors faced numerous rejections before achieving literary success.

Keep pushing forward despite challenges – it’s a vital trait for any aspiring author in the ever-changing realm of book publishing. Embracing persistence can significantly increase your chances of reaching your goals in the competitive world of publishing.

Protecting Your Rights as an Author

After navigating the complexities of the publishing industry and persistently seeking success, it’s important to safeguard your rights as an author. Understanding the ever-evolving realm of self-publishing and traditional publishing underpins the need for meticulous protection.

Not only do I believe in tailored contracts but also in actively safeguarding my intellectual property. It is advisable to seek legal guidance and understand copyright laws to ensure my work remains protected within this everchanging landscape.

Options for Self-Publishing

Now that we’ve discussed protecting your rights as an author, let’s explore options for self-publishing . Self-publishing is a viable route to get your work out there, especially if you crave creative control .

It’s important to note that self-publishers can tailor their publishing journey with the right knowledge and steps. With a tailored approach , you can successfully navigate the ever-evolving realm of selfpublishing and unlock the secrets to reaching your audience.

Self-publishing offers a bespoke way to enhance your book’s chances without navigating through the complexities of traditional publishing . It gives authors more than just control over their work; it empowers them to dive into the heart of the publishing world with confidence.

To wrap things up, getting a book published is a journey filled with hard work and dedication. Our expert, Dr. Sarah Milton, has years of experience in the publishing industry. She holds a PhD in Literature from Oxford University, has worked as an editor at major publishing houses, and authored several successful guides on writing and publishing.

Dr. Milton highlights that understanding your genre and meticulously preparing submission materials are critical steps towards publication success. These actions ensure that your manuscript stands out to agents and publishers.

Discussing safety and ethics, Dr. Milton emphasizes the importance of protecting intellectual property rights during the publication process. Trustworthy relationships with agents and publishers are crucial for maintaining transparency.

For integrating these steps into daily life, she suggests setting realistic goals for writing and editing phases. Reaching out to literary communities online can offer support when finding agents or deciding to self-publish.

Weighing pros and cons, Dr. Milton acknowledges that while traditional publishing offers access to expert editing and marketing services, it might not be suitable for all authors due to its competitive nature.

Self-publishing grants more control but requires significant effort in marketing.

Finally, Dr. Milton believes this guide provides invaluable insights for aspiring authors aiming to navigate the complex world of book publishing successfully. Whether choosing traditional or self-publishing paths should depend on personal goals , resources ,and level of desired involvement in each stage .

Victoria Sterling is a seasoned author and publishing consultant dedicated to empowering writers on their journey to success. With over two decades of experience in the publishing industry, Victoria provides invaluable guidance and support to writers, helping them navigate the complexities of publishing and achieve their literary dreams. Through her expertise and passion for storytelling, Victoria inspires writers to unleash their creativity and thrive in the ever-evolving world of publishing.

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How to Get a Book Published

By Hannah Yang

Table of Contents

A step-by-step guide to getting a book published, do’s and don’ts for aspiring authors, common questions about how to publish a book, final thoughts on the path to publication.

When I finished writing my first novel, I was really excited to finally pursue publication. But then came the next big question: how does the publishing process actually work?

For many authors, the dream is to see their work on the shelves of bookstores and libraries, and the traditional publishing route is often seen as the golden path to get there. But the journey from manuscript to published book can feel opaque and confusing.

So, how exactly do you get a book published?

In this article, we’ll walk through the steps to get a book deal with a traditional publishing house, as well as our top tips to help you navigate that process. If you’re planning to take the self-publishing route instead, we have a separate article about how to self-publish a book .

I’ve broken down the process of getting a book published into seven basic steps.

Step 1: Finish and Polish Your Manuscript

Before you even think about sending a novel to agents or publishers, you have to make sure your manuscript is in the best shape possible. This means revising your story until it absolutely shines.

There are three ways you can do this: self-editing, getting feedback from beta readers and critique partners, and hiring a professional editor.

Start by reading through your manuscript and making notes for big-picture things you want to improve. Look at pacing issues, plot holes, character development issues, and other major weaknesses.

After you’re done with your developmental editing, it’s time to work on line editing , where you pay attention to grammar, punctuation, and spelling. It often helps to read your work out loud, so you can catch errors you might miss when you’re reading silently.

Once you’ve completed your initial edits, it’s time to get some fresh eyes on your work. Find beta readers and critique partners who are willing to read your work and give you feedback; you can ask your friends, people you meet in writing workshops and conferences, or people you meet in writing communities like the ProWritingAid Community. Choose people who read in your genre and who will give you honest, constructive criticism.

You can also consider hiring a professional editor, especially if you’re a first-time author. 

Hiring a pro isn’t a necessary step—many authors get published without paying for editing. But if you’re not sure how to revise your book by yourself, and you can afford to hire someone, a professional editor can be a great resource.

To make editing even easier, you can use ProWritingAid as a writing coach. ProWritingAid can help you analyze your storytelling, catch inconsistencies, enhance your writing style, and more. 

Step 2: Research Your Genre

Understanding your genre is crucial for positioning your book in the market. Different genres have different conventions, and knowing what those conventions are can help you pitch your book effectively to agents, editors, and future readers.

The most important thing to do here is to read widely in your genre. This will help you understand what has been done before and what readers expect. It will also help you identify where your book fits within the genre and—crucially—how it stands out from the crowd.

Look for comparable titles, or "comps," which are books that are similar to yours in genre, theme, or audience. Ideally, try to find comps that were published within the past couple of years.

Knowing your comps will help you when it comes time to pitch your book to agents and publishers. It’s useful to be able to say, "Imagine Demon Copperhead, but with vampires," or "My book will appeal to fans of dark academia fantasy novels like Babel and Ninth House. "

Step 3: Write a Query Letter

A query letter is a one-page pitch that introduces your book to literary agents. It’s your chance to make a strong first impression, so make it count.

These are the components of a query letter: 

Hook: Start with a compelling hook that grabs the agent’s attention. This could be a provocative question, a unique premise, or a brief teaser about the story.

Book summary: Provide a concise, 1–2 paragraph pitch of your book. Focus on the main plot points, the protagonist’s goal, and the stakes. This is similar to what you’d find on the back cover of a book—it should explain what your story’s about without giving away the ending.

Author bio: Include a brief bio that highlights your writing credentials and relevant experience. For example, if your book is set in a circus and you’re a professional trapeze artist, you should definitely mention that. 

Personalization: Save room for 1–2 sentences where you can tailor your query letter to the specific agent you’re querying. Mention why you chose them and how your book fits their interests.

Closing: Politely thank the agent for their time, and let them know you hope to hear from them soon.

Step 4: Query Literary Agents

A literary agent is a crucial partner in the traditional publishing process. Most traditional publishers don’t accept unsolicited manuscripts, so you need an agent to submit your books for you. 

Start by building a list of agents who represent books in your genre. QueryTracker, AgentQuery, and Manuscript Wish List are all great resources for finding new agents to add to your list.

Another way to build your list is by looking at agents who have represented similar books before. Remember those comparable titles you found back in Step 2? Look in the acknowledgements section to find out who each author’s literary agent was, and check if they’re still accepting submissions.

You can also participate in pitch events on social media, where writers can pitch their books in just a few sentences, and agents will "like" the ones they want to read. That’s how I found my literary agent —I pitched my YA fantasy novel in a Twitter event called #APIPit and signed with her a few months later.

Once you’ve made your list of agents, it’s time to start sending them your query letter and opening pages. Make sure you research and follow each agent’s submission guidelines so you know how many pages they want to read.

It’s a good idea to start with a small batch of queries, usually between 5–10, to see what kind of responses you get. That way, you can revise your query materials if you get consistent feedback.

It can be agonizing to wait for replies, but patience is key here. Agents receive a slew of queries, so responses can take weeks or even months.

If an agent likes your query letter and opening pages, they’ll request to read a partial manuscript or your full manuscript. If they fall in love with your book, you can move on to Step 5.

Step 5: Go on Submission

Once you have an agent, they’ll work with you to revise your manuscript even more.

When you both feel like your book is ready, your agent will start submitting it to editors at publishing houses. This part of the process is called "going on submission."

Going on submission feels a bit like querying all over again, except this time, it’s your agent pitching your book to editors instead of you pitching your book to agents. 

Your agent will make a "pitch list," which is a list of editors who might be a good fit for your book. The list might include editors at indie publishers, as well as editors at the Big Five publishing houses: Penguin Random House, Hachette, HarperCollins, Macmillan, and Simon & Schuster.

Your agent will also prepare a submission package, which typically includes a synopsis, a pitch letter, and your manuscript. This is the package they’ll send to editors.

If an editor is interested in your book, they’ll ask for a call with you. The acquisitions team at that publishing house will meet to decide if they want to acquire your book, how well they think your book will do in the market, and what size advance they’re willing to offer you.

If the acquisitions meeting goes well, then you get the golden ticket—an official book deal!

Step 6: Work With Your Publisher

Once you’ve signed a book deal, your book enters the publishing process. This means you’ll be working with your publishing house on several different processes:

Editing: You will work with an editor at the publishing house to further refine your manuscript. This can include developmental editing, line editing, and copy editing.

Cover design: The publisher will hire someone, either in-house or externally, to design a cover for your book. You may have input on the cover design, but the final decision usually rests with the publisher.

Marketing and publicity: The publisher will come up with a marketing plan for your book. They’ll likely assign you a publicist, who will figure out the most effective way to spend your book’s publicity budget. 

Production: Your book will go through typesetting, proofreading, and printing. If you’re publishing an e-book, this will include formatting for digital platforms.

Because there are so many steps involved in preparing a book for publication, the traditional publishing process can be very slow. You might have to wait a year or more before you actually see your book on shelves—but it will be worth it in the end.

Step 7: Launch Your Book

Finally, at the end of this long and arduous process, your book will be released into the world, and you’ll become a published author.

But the journey doesn’t stop here. You and your publisher will work together on promotion, which can include book tours, interviews, ads, and social media campaigns.

Don’t be afraid to be your own best advocate. Most successful authors do a lot of promotion on their own, gradually building a brand and a readership that loves their work. 

Now that we’ve talked about the steps to publication, let’s walk through the most important do’s and don’ts to keep in mind. 

What to Do 

Let’s start with the do’s:

Do your research: Understand the market and the publishing process. Knowledge is power, and there are many resources about publishing online. You can start with interviews with successful authors, YouTube videos by AuthorTubers like Alexa Donne and Alyssa Matesic, and articles like this one.

Do be patient: Publishing is a slow process. Be prepared for long waits and possible rejections.

Do network: Attend writing conferences, join writing groups, and connect with other authors. Networking can open doors you never even knew were there.

Do keep writing: While waiting for responses, start working on your next project. Continuously improving your craft is crucial.

Do stay professional: Always be professional in your communications with agents, editors, and other industry professionals.

What Not to Do

And now, the don’ts:

Don’t rush the process: Take the time to polish your manuscript and query letter. Rushing can lead to mistakes and rejections.

Don’t ignore guidelines: Always follow submission guidelines. Ignoring them can result in automatic rejection.

Don’t take rejections personally: Rejections are part of the process. Learn from them and keep moving forward.

Don’t be afraid to revise: Be open to feedback and be willing to make changes to improve your manuscript.

Don’t give up: Persistence is key in the publishing industry. Keep pursuing your dream even when the road gets tough.

Navigating the world of book publishing can be daunting, and it’s natural to have many questions along the way.

Here are some common questions aspiring authors often ask, along with our answers to help guide you through the process.

Do You Need Personal Connections to Sign With an Agent?

A lot of new writers worry that finding an agent is all about who you know rather than how well you write.

It can definitely help to know people in the industry, but the vast majority of traditionally published authors found their agents the hard way: by querying their manuscripts without any prior connections.

So, don’t worry if you don’t know anybody. Let the strength of your work stand on its own. 

What Should You Look For in a Literary Agent?

Your literary agent is your most important partner in the publishing world and will often represent you for multiple books, or even the length of your entire writing career. There are hundreds of literary agents out there, so it’s important to choose one who’s the right fit for you. 

Here are some things you should think about when choosing an agent: 

Personal fit: Do you think you’d enjoy working with this person? Do your personalities match?

Genres and age ranges: What types of books does this agent represent, and does that include all the types of books you plan to write in the future?

Agenting style: Are you looking for a "shark" agent who will ruthlessly pursue a six-figure book deal or a more laid-back agent who will be your friend throughout this process?

Vision for your book: What changes does this agent want you to make to your manuscript? Does that match your own vision? 

Experience: Do you want an experienced agent who knows the industry well or a newer agent who’s hungry to make their first sales? 

Agency support: Does your agent work for an established agency with all the in-house resources you’ll need? 

When an agent offers you representation, they’ll usually schedule a phone call with you, so you can ask as many questions as you need to figure out if you’re a good fit or not. 

Can You Traditionally Publish a Book That's Already Been Self-Published?

The short answer is yes… but the longer answer is it’s very rare.

Many authors have signed book deals for books that have already been self-published, but usually, those books were already extremely popular. 

That’s because publishers are more likely to be interested in self-published books that have demonstrated strong sales and garnered a significant following. If your self-published book has sold thousands of copies and has a dedicated readership, it might catch the attention of traditional publishers.

You’ll also need to be flexible when it comes to revisions and updates. Traditional publishers may request revisions or updates to your self-published book to align it with their editorial standards and market strategies. Be prepared to make changes if needed.

Should You Self-Publish Instead of Looking For a Traditional Publisher?

Self-publishing and traditional publishing are both valid paths to publication, with their own pros and cons. Picking one over the other really boils down to your personal goals and preferences.

Here are the main pros and cons of working with a traditional publisher. 

Pro #1: Industry expertise. You’ll benefit from the expertise of professionals in editing, design, marketing, and distribution.

Pro #2: Prestige. Being published by a reputable publisher can enhance your credibility as an author.

Pro #3: Distribution. Traditional publishers have established distribution channels, making it easier for your book to reach bookstores, libraries, and international markets.

Con #1: Less control. You’ll have less of a say over the publishing process if you work with a traditional publisher. The publisher will make key decisions about your book.

Con #2: Longer timelines. The traditional publishing process can be notoriously slow. It may take years from signing a contract to seeing your book on the shelves.

Con #3: Lower royalties. You’ll earn a lower percentage of royalties compared to self-publishing. Advances are common but vary widely.

Now let’s look at the other side of the equation. These are the pros and cons of self-publishing your book:

Pro #1: Full control. You have complete control over every aspect of the publishing process, from editing and cover design to marketing and pricing.

Pro #2: Speed. Self-publishing can be much faster than the traditional route. You can publish your book as soon as it’s ready.

Pro #3: Higher royalties. You typically earn a higher percentage of royalties on each sale compared to traditional publishing.

Con #1: Higher costs. Self-publishing can require a significant upfront investment. You’ll need to cover the costs of editing, cover design, formatting, and marketing.

Con #2: Limited distribution. While self-published books can be sold online, getting them into brick-and-mortar bookstores, like Barnes & Noble or your local bookstores, can be a lot more challenging.

Con #3: Limited marketing. All marketing efforts fall on your shoulders. Building visibility and driving sales can be time-consuming and require specific skills, which is why a lot of self-published books end up getting fewer than 100 sales, even if they’re well-written.

What If You’re Publishing a Nonfiction Book Instead of a Fiction Book?

A lot of the advice in this article can be applied to any kind of book, but there are some key differences between publishing a fiction manuscript and publishing a nonfiction manuscript.

The biggest difference is that if you’re writing nonfiction, you don’t need a completed manuscript to start pursuing publication. All you need is a book proposal and the first few chapters. 

A book proposal typically includes:

Overview: A summary of the book’s concept, purpose, and target audience.

Author bio: Information about you, your qualifications, and your platform (such as social media following, previous publications, etc.).

Market analysis: An analysis of the market for your book, including comparable titles and why your book is unique.

Chapter outline: A detailed outline of each chapter, including key points and takeaways.

Sample chapters: One or more sample chapters to showcase your writing style and the book’s content.

Send your book proposal to agents, and if they think your idea has potential, they can submit it to publishers based on the concept alone. Once you have a book deal, you can take the time to actually write the rest of the book. 

Getting a book published with a traditional publishing house is a challenging but rewarding journey. By understanding the steps involved and preparing thoroughly, you can increase your chances of success.

Remember, every author’s path is unique, and there’s no right or wrong timeline for getting your book published. Keep writing, keep dreaming, and who knows? Your book could be the next one to hit the shelves.

Don’t forget to use ProWritingAid as a personal writing coach to polish your manuscript and give your book an even better chance of success.

Good luck, and happy writing!

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Hannah Yang

Hannah Yang is a speculative fiction writer who writes about all things strange and surreal. Her work has appeared in Analog Science Fiction, Apex Magazine, The Dark, and elsewhere, and two of her stories have been finalists for the Locus Award. Her favorite hobbies include watercolor painting, playing guitar, and rock climbing. You can follow her work on hannahyang.com, or subscribe to her newsletter for publication updates.

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